Unloading Cargo by Richard Weatherill (1844 – 1923)

Unloading Cargo by Richard Weatherill (1844 – 1923)

Richard was the youngest of George and Sarah Weatherill’s four children.  If he had been in better health Richard would probably have pursued a career at sea, but instead he served a brief apprenticeship with a ‘Druggist’ in Whitby.  He had little interest in this career and soon gave it up to become a full time artist.  As with all his sisters Richard was taught by his father and painted in a similar style.  Unlike his father Richard preferred to paint in oils and is better known for these works which were mainly of marine subjects and often set in Whitby Harbour.  Richard was also very talented and from an early age he had a number of pupils of his own. 

Richard exhibited one work in Birmingham in 1885 but like the rest of his family he mainly exhibited and sold work locally. He signed his paintings R. Weatherill often in either red or white paint.

In 1908 Richard published ‘The Ancient Port of Whitby and its Shipping’ an account of the towns shipping and maritime history complete with a comprehensive lists of ships that were owned or built by Whitby firms from 1717 – 1900, including articles on local shipyards and the whaling industry.  This book contains illustrations by Richard, Mary and George Weatherill.

Richard went on several sailing voyages to improve his knowledge of sailing and so produce more accurate paintings.  This fascinating painting shows a busy Whitby harbour, with plenty of activity.  There is such a lot of detail to be enjoyed, with men up in the rigging and seaweed dripping off the ropes.

If you have any further information, stories or anecdotes about the artist, or any of the members of the Staithes Art Group, we would love to hear from you. Please contact us by email:




Discover the early career of the trailblazing artist, Dame Laura Knight

A unique exhibition at the Pannett Art Gallery, Whitby

As part of its programme of anniversary celebrations and made possible by money raised by National Lottery players, the Pannett Art Gallery has a unique display of artworks on show throughout much of 2020. A National Lottery Heritage Fund grant has enabled the gallery to present a wonderful selection of art works that illustrate the importance of the North East Coast and the Staithes Group of Artists on the artistic development of Dame Laura Knight RA (1877 – 1970).

The exhibition of works by Laura and her husband Harold, painted during their time at Staithes includes the beautiful and enigmatic painting of Laura, by Harold, painted at about the time of their marriage. This fabulous oil painting was recently purchase for Whitby, thanks to grants from Art Fund, Arts Council England/V&A Purchase Grant Fund and a very generous benefactor, Mr George Bednar. The display also features a small selection of their paintings and sketches depicting life in Staithes at the beginning of the 20th Century.

Alongside these pictures, visitors can see works by the other members of the Staithes Group of Artists. To complement these and to build a wider picture of this artists achievements, additional works by Laura Knight will be going on display throughout the year.

You can see “Laura Knight at Staithes” at the Pannett Art Gallery, 9.30am – 4.30pm (last admission 4pm), Tuesday – Sunday, until 1st November 2020. There is no charge for admission.

How they came to be painting at Staithes

The Staithes Group of Artists developed when the railway extended to Staithes, bringing visitors from outside the area. Artists were attracted to the area, some visiting regularly, others setting up home locally, and a small group started exhibiting together as the Staithes Art Club 1901 – 1907, including Laura (nee Johnson) and Harold Knight.

The youngest of three daughters, Laura Johnson grew up in a low-income family with strong female role models, her mother Charlotte and her grandmothers.

Charlotte Johnson taught part-time at the Nottingham School of Art, where Laura was enrolled as a student from the age of 13.

At Nottingham School of Art, Laura met one of the most promising students, Harold Knight, then aged 17. A friendship developed, blossoming into romance and they married in 1903. Harold was a major influence on Laura’s work, particularly her early painting. Together Laura and Harold visited Staithes and soon returned to live and work there, quickly becoming members of the Staithes Art Group. This period, from 1897 until 1907, was a significant, but often overlooked, period of Laura’s career.

In Staithes Laura painted local people at work, depicting the hardships of fishing and farming as well as documenting the local children at play. Working outdoors Laura developed a freer style, capturing the realities of life.

Laura’s Career after Staithes

Laura and Harold Knight left Staithes in 1907, moving to Cornwall to join the Newlyn artist colony. There Laura’s style developed further, her paintings becoming much lighter and more colourful.

Laura befriended, and was inspired by, working people from all walks of life. Throughout her career she sketched and painted the world of theatre, circus and ballet as well as women at work in the Second World War and people from marginalised communities. Her strength & individuality led to her becoming an official war artist at the Nuremberg Trials.   

In 1929 Laura was created a Dame and in 1936 she became the first woman elected to the Royal Academy since its foundation. Her large retrospective exhibition at the Royal Academy, in 1965, was another first for a woman.

Laura Knight was unconventional, inspirational and influential. She succeeded as an artist in a male dominated art world. She was one of the most successful painters in Britain during her lifetime, helping to pave the way for other women to gain greater recognition in the future.


Pannett Art Gallery team member Lisa admires the painting “Laura” which the gallery recently acquired.